July 8, 2020– What do all languages have in common? Let’s listen to Cameron Morin explain! Check out this TedEd below:
August 15, 2018– We’ve all been in awkward situations when we meet someone or where we’re at an event and the person who corners us, has nothing to say. What do we talk about? Where can I escape to? Where the heck is my husband to rescue me? Usually, talking to people is easy for me because I like to keep informed about a little bit of everything that’s going on in the world, however, there are times where I find myself with nothing to say because the conversation has run its course or perhaps the other person and I have nothing in common.
Guess what? The same holds true for everyone who reads your novels. It happens. There are novels out there with nothing to say, and fiction readers have high expectations of being engaged on a deeper level when they pick up a book.
Here are some interesting facts that you should know before you write your first or next novel.
- All stories have underlying morals. If they didn’t then no one would bother to read them. Morals are the glue that holds us together. For example, in my novel, Obsessed with Her, there are a TON of morals. Some of the questions that the reader must ask themselves while reading my book are pretty dark. What would they do if their child was missing? How far would they go to find out what happened to her? Would they do the same thing if they were in the main character’s shoes? Every novel must possess some kind of moral fork in the road; if it doesn’t, your reader will be disappointed, snap your book closed, and hurl it across the room.
- Readers seek out stories that are on par with their own beliefs. For example, romance readers are largely female, mystery/thriller readers are somewhat conservative with a longing for justice, and techno-thriller readers are most often military personnel. Every reader believes in something, and it’s our job as writers to make them question their beliefs…which leads me to my next point; the number of fiction readers who deliberately seek to have their morals changed are slim to none. This does not mean that they don’t want to be stretched or see the world in a different light, they do! They just don’t want their own beliefs and morals converted.
- Readers are not looking for what is comfortable, familiar, or politically pleasing. Fiction is most interesting and unputdownable when points of view and beliefs are different, engrossing, compelling, and detailed. Take your reader to the edge of what they believe, and you’ll make a long-term connection. Plus, they’ll love your book, hopefully, and become a life-long reader of your work.
The moral of this post? Have a moral in your story. Make it interesting. Push the limits.
Happy writing, X LLB
June 6, 2018- I’m not a huge fan of flashbacks in writing and I don’t particularly practice them in my own writing, but there can be a time and a place for them when used properly. Here’s a quick infographic to help you decide when, where, and if you should use flashbacks. Do you use flashbacks in your writing? Why? Comment below.