August 5, 2020-No matter what you’re writing, an element of humour should be present. This is especially true for those of us who write mysteries, thrillers, and psychological books. I think Josh Whedon said it best, “Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke.” It’s important when writing heavy subject matter to relieve your readers once in a while! Here are three ways to inject humour into your manuscript:
1) Dialogue-Get your character to say something funny. Have a weird exchange between two characters, get your character to reminisce about something humorous that happened to them.
2) Situation-Put your character in a situation where something funny happens to break the tension (when it fits) such as tripping or ripping their pants, or mistaking one thing for something else. In my book Obsessed with Her, James overheard a conversation he thought for SURE was about the girl he was holding hostage, but it turned out to be a missing dog.
3) Embarrass them. Embarrassing things happen to us all the time and I’m sure to me more than others…sigh. Embarrass your character eg. spinach in teeth, static underwear stuck to the back of their outfit, spilling coffee on themselves etc.
The point of adding an element of humour to your writing is to make your characters three dimensional, real, and relatable.
July 29, 2020- We’re creating new content for our YouTube channel that will be posted soon, but for now, let’s hear about three simple things you can do to market your self-published book. Subscribe to our channel Pandamonium Publishing House for book trailers, upcoming events, tips for authors, and more!
June 10, 2019– As you may or may not know, I own a production/film company called TFP Productions. This year we will be creating two films-1) Documentary 2) Canadian Short film, both will be submitted to various International Film Festivals in 2020.
Writing is writing is writing. Whether it’s a novel or a play or a screenplay, it’s still writing and that’s why this topic is relevant for our blog. Check out the screenwriting tips from Erik Bork, below:
May 13, 2019- If you’re working on a graphic novel, you need to read this fabulous info from Nate Piekos! He is the creator of the indie graphic novel titled, The Whole Enchilada. Nate’s work has appeared in books by almost every major comic book publisher, has appeared in computer magazines worldwide, and have been licensed by companies like Microsoft, The Gap, The New Yorker and many more. This is from Blambot.com check out the site!
April 26, 2019– Do you guys think that we should have a weekly blog post titled Publisher’s Corner (inspired by Coach’s Corner with the ever fabulous Don Cherry)where I answer your most urgent questions about publishing/writing? I do and last time I checked, I own the place so I can do whatever I want. Every Friday from here on out, we’ll do it! Sound good? Let’s get started.
I received an email last week that asked, “When should I send my novel to a publisher for consideration?”
There are a few things that you need to keep in mind for submitting your work to a publisher.
AFTER your manuscript is completed.
AFTER you do your research (see who is accepting manuscripts and if that publisher is accepting your genre)
AFTER you query the publisher and they REQUEST your manuscript. Your query better be good by the way.
“But Lacey, why wouldn’t I query first to see if they’re even interested? Then if they are, I’ll finish my book. ”
Think of it this way, you send us a killer query letter, we love it, and want to see the manuscript, imagine our disdain if your manuscript is unfinished. You’ve completely wasted your time and ours. This is comparable to a real estate agent saying to you, “I’ve found your dream home! It’s got everything you want, a pool, a big backyard, and three car garage!” You’re excited, right? Then she says, “But it’s not for sale.” That’s how publishers feel when you tell us the manuscript is incomplete. Don’t ever do this, make sure your work is finished before ever considering querying us.
“But Lacey, can’t I just send my book out to a bunch of publishers to better my chances?”
No. Next question. Just kidding; all kidding aside though, you need to research the publisher that is the best fit for your work. Let’s say that you wrote a middle-grade adventure novel and you sent your manuscript to a publisher who only publishes romantic fiction for adults…again, you’ve wasted your time and ours. Do your research, know who you are submitting to, and know what they publish. If you submit something to us that is totally out of our scope, we realize that not only did you NOT do your research but maybe you don’t care enough about a book deal to do your homework. It also makes us leery of working with you because you’ve shown us that you can’t follow instructions.
“But Lacey, can’t I include my manuscript with the query? It will be more efficient and I won’t have to wait as long for a response.”
Do NOT send your manuscript with the query. If we want it, we’ll ask for it. You also need to be aware of the guidelines. A lot of the time publishers request the first 5-10 pages of your manuscript in the BODY of the email. We don’t open attachments so if you’ve ignored the guidelines and sent us your query and manuscript together…you may as well consider it trashed because we won’t open it.
I know that a lot of this advice seems a bit harsh, but this is the reality of publishing. I want you to have your best shot at success. X LLB
March 19, 2019– Hello all! Just wanted to share this really fun and easy exercise that will help you break through any writing ruts you’re experiencing. Follow us on Podbean/Google Play for all of our latest podcast episodes. Thanks for tuning in! Click on the link below:
March 4, 2019- Awesome video to share with you today! Filmmaker Andrew Stanton (“Toy Story,” “WALL-E”) shares what he knows about storytelling. Clue 1- starting at the end and working back to the beginning. (Contains graphic language …) Enjoy!
December 24, 2018– I’m not a fan of Christmasmovies. I’m not a fan of all Christmas movies, I do like Die Hard (best Christmas movie EVER) and the Grinch, but that’s about it. My loved ones, on the other hand, are major lovers of all things Hallmark. Here’s the whole storyline in a nutshell; a single, career woman who is too busy for love, but she has to move to a small town where a local, handsome bachelor teaches her the true spirit of Christmas. It starts snowing, they kiss, and there is a dog. The End.
Did I miss anything? Didn’t think so. Yes, there is a place for story lines like this, people want to feel cuddly and cozy, and they want simplistic, feel-good stories with a happy ending. It’s fun to watch these movies with a cup of hot cocoa and baileys, hold the cocoa, and some cookies, while snuggled up with a blanket and a cat. But, there is no place for predictability in your writing. There ARE formulas to follow when writing of course; whether it’s romance or thriller, or mystery, there are certain elements that each genre contains. Here are two easy tips to follow so that your writing doesn’t become stale like the leftover holiday treats currently sitting on your kitchen counter.
1) Approach your story as a reader
The above tip is probably obvious, but it’s the most important step when writing effective plot twists. If your reader can predict where the story is going, you’re sunk. There’s nothing worse than watching a movie and being able to know what happens before it happens. I do this quite frequently as a viewer/reader; we’ll be watching a movie and I’ll get up to pour some more wine (I have to drink wine while watching holiday movies…it’s the only way I can stand it) and as I leave the room, I’ll say to my husband, “Then her fiance comes back, she leaves with him, she returns when she realizes he’s the wrong guy, the Christmas guy and the main character kiss and live happily ever after.” UGH (insert eye roll here) I hate always being right.
When you’re plotting your novel constantly put yourself in the reader’s shoes. Which direction would you expect the story to go? What twists and turns come to mind? Write all of these down and then throw them in the garbage and delete them out of your manuscript forever. If you think there’s the slightest possibility that the reader can figure out your plot twist, you’re probably right. Change it.
2) Ensure your twist is believable and necessary – and makes sense
Plot twists are sudden, unexpected changes of direction, but they must still be realistic and believable. No matter how unpredictable your plot twist might be, a plot twist doesn’t make sense or further the story is not effective. Readers won’t be impressed and they may even get frustrated and stop reading. Don’t resort to hacks, and never introduce a plot twist just for the sake of including one. Remember Sharknado? Yeah. Well there you go, see what I mean?
There you have it, two sure-fire ways to make sure your writing is unpredictable, but meaningful. Happy writing! X LLB
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