April 30, 2021-Today we wrap up our theme of Pushing the Envelope in our writing! Thank you to everyone who read our posts and special thanks to my authors for sharing their methods and ideas in how they push the envelope in their own books. Paul Moscarella, author of Machinia, is our guest blogger today.
The writing process for me has always been a peculiar outlet that demands my obedience yet gives no instruction for compliance. This manifestation of my active imagination into words began when I was in grade 4. I had selected a book on the shelf of our art class, The War of the Worlds, because the cover art intrigued me. It was a difficult read, but the tale of the Martian invasion had me riveted. After reading that book, I knew that I wanted to share the things that I imagined into something others could experience. But right away I saw that there was a limit to what I could express, mostly because at age 9 emulating the classic writing style of H.G. Wells was beyond my ability! It was a challenge, but I gave every story I submitted in my English class that extra effort that went well beyond what was required. The endeavour paid off as my submissions were always given praise (and high marks). Those were the exciting days, when what was put to paper rarely saw revision greater than a few erased words. The written word was magic, and my pen was the sorcerer’s wand.
Since that time, the greatest challenge to my writing has been the revision process. Imagination for me has always come easy. Shaping the rough draft into a cohesive well-written form takes continuous effort. Too little self-editing and the rough edges mar the prose. Too much, and the creative inspiration becomes a bland stream of clarified beige. And then, more challenging still, the editor’s feedback! I can get a sentence or paragraph rewritten to the point where I feel it is perfect only to get comments that ask for clarification or a slash through the writing with a simple “No!” So, following the advice I was given numerous times, I’ve learned not to fall in love with sentences, or paragraphs, perhaps even whole pages.
When the first draft of Machinia was completed in 1992, I never dreamed that a novel of over two hundred thousand words would ultimately be subjected to a thirty-year editing cycle. It eventually emerged as a ninety-thousand-word triumph. It taught me that no piece of writing worth reading ever reaches the published page without the struggle and meticulous challenge of revision. In many ways writing is revision, and each reread gives clarity to what we truly wanted to say in the first place. And whether it takes hours, days, or decades, I’ve learned to treat the revision process as if seeing the prose for the first time.*
*author’s note: this submission was subject to several revisions and my wife’s editing notes.
Get your copy of Machinia here: http://www.pandamoniumpublishing.com/shop/Machinia